In William Shakespeare's "Twelfth Night" there are several relationships that Viola very quickly and sends Cesario to declare his love for Olivia, the object of. In Twelfth Night,. Shakespeare has complicated the gender roles of the relationship between Viola and. Olivia by cloaking Viola as male. Her identity almost. Twelfth Night opens in a scene with Orsino, Duke of Illyria. The Duke is .. understanding of Viola's disguise, or her connection with Olivia, harkens to her cries.
He enjoys indulging in his misery, and complaining of his aching heart. He likes that melancholy feeling that comes from unrequited love. His love for Olivia is only superficial, and he comes across as being very emotionally shallow. Orsino is only a likeable character because he relates in a much different way to Viola.
Olivia and Cesario (aka Viola)
She brings out his real personality, showing that perhaps he is not quite as self-indulgent as he seems. He only speaks to Olivia through a messenger, and he is afraid to truly get close to a woman. In the beginning, she is in love with grief, locking herself away from the world to suffer from supposed sorrow. Olivia is as fickle as Orsino, and she quickly sets aside her terrible grief when she meets Cesario.
She falls instantly in love with Viola as Cesario, and begins pining away for him, just like Orsino pines away for her. She compares love to a plague, which is an excellent description of the love in Twelfth Night. It strikes without warning, and infects everyone, leaving pain and madness in its wake. Olivia also quickly shifts allegiance in the end from Viola to Sebastian.
Olivia: Love At First Sight?
Throughout the play, Olivia enjoys wallowing in her grief, first over her brother and then over Cesario. She likes feeling sorry for herself. Viola, disguised as Cesario, falls in love with Orsino. This presents a conflict, because she is dressed as a man, and Orsino is unaware that she is a woman. Olivia is also in love with Viola as Cesario, which deepens her conflict.
She sincerely loves Orsino, and does so throughout the play. Where the rest of the characters love is fickle, hers is steadfast. She is the only one who seems to be genuinely in love.Twelfth Night; Viola and Olivia
She also loves her brother deeply, and he reciprocates the same love. Orsino and Olivia essentially end up marrying male and female versions of the same person.
He does not love her though; he loves her position of power. He has a strong desire to rise above his social status, and sees Olivia as the way to do it.
Malvolio is stuffy, serious, and obviously in love with himself. He is very proud, and though he is only a steward, sets himself high above the rest of the people in the household.
He daydreams about running the house, and ordering everyone else around. His pride causes him to be extremely gullible, because he never doubts for a second that Olivia is in love with him.
Malvolio deserves the humiliation that he gets, but his punishment is excessive and does not fit with the crime. He is locked in a dark room and everyone tries to convince him that he is mad.
Viola accidentally wins the affections of Olivia. The Emotions of Viola This accidental wooing of Olivia is completely against the conventional style of wooing that Orsino is trying to employ.
Essentially as Olivia is being wooed she begins to become the pursuer. She is attracted to the flow of emotions that come from Viola as she unwittingly ensnares both herself and Olivia into a prison of unrequited love. The androgyny of Viola Shakespeare uses the androgyny of Viola to challenge conventional conceptions of the importance of sex in everyday relationships.
enlolivia / Olivia and Cesario (aka Viola)
Although she does not know, Olivia is attracted to a woman, which calls into question the importance of sexuality in the first place. Shakespeare uses this relationship to set the stage for a recurring theme in Twelfth Night, the importance of sexuality.
The Viola-Sebastian Switch The conclusion of Twelfth Night is mass confusion amongst all the characters as Viola is revealed to be a woman, Olivia realizes that she has married a stranger, and Orsino accepts his feelings for Viola as sexual.
At a glance the ending seems to be merry and unproblematic. But there are several problems with this ending.
Mainly, how can Olivia be so calm about the fact that she now has a man for a husband she has barely even spoken to?